Minutes after the doors opened, the rows nearest the stage were filled with Lolitas. Ambient noise “music” echoed through the arena; above the stage, three screens looped an animation of water dripping as the camera moveed through doorways (giving me uncomfortable flashbacks of Brooklyn circa 2003). The lights dimmed and Marui blasted a short brand promo video set to dance music.

The girls leaned forward, gasping and whispering: Baby! The lights revealed Sweet Lolitas rocking back and forth on wooden swings… with creaking noises broadcast over a solo piano track. (It was a tad Rosemary’s Baby.) The collection was standard BTSSB – pink, frills, up-dos, cute poses – but nobody tops this brand for quality and daintiness. Top looks: a bridal ensemble (above), and high-heeled boots with white furry segments and dangling fuzzy balls.

The soundtrack switches to female-fronted pop rock. Alice and the Pirates stands in a row, looking ready to plunder. I loved the clutch that resembles a crossbow, and I was overwhelmed by the final look: a long, black velvet cape with the gold logo on the back, paired with a black top hat with red feathers.

The Angelic Pretty fairy pranced out with sky-high pink hair, sweeping her magic wand and throwing a flower bouquet to the crowd. The collection is pure candy floss, and more kitschy-fun than Baby: the models waved and bobbed their heads to the music. Favorite look: a big red royal crown worn with a red winter coat. I also loved AP’s knee-high lace-up red glossy boots.

Blues rock was the music of choice for Metamorphose temps de fille. Despite the animal backpacks, Metamorphose went for mature and subdued; a brown dress, a grey coat and matching hat. I thought their plaids and red boots worked best.

I was least impressed by the Kera Angel models, who entered the catwalk through a picture frame. Princess Doll’s skirts were limp, and a yellow and black checkered dress fell flat. Nile Perch’s casual tops and bright pink gauzy skirts reminded me of Western “scene queen” wear such as Jessica Louise and New York Couture.

The girls next to me leaned forward once again when Victorian Maiden’s logo flashed on the screen. Like Patrick, I was first drawn to the dead roses clutched by the first model… but then my attention shifted to her glorious short white jacket with three horizontal military stripes down the front. Purple and magenta combinations were heavily featured. A dark romantic couple in top hats, riding uniforms and jabots strutted the stage together; the girl tripped on her way back and the next model (who wore the same high platforms) walked at a tortoise-like pace. (Note to self – avoid these boots.) Parasol lovers would have died at the beautiful black creation topped with black gauze and feathers with a trail down the side.

Models wearing Atelier Boz showed off Artherapie bags; I don’t find anything special about these purses and wallets. Kanon Wakeshima graced the stage in a decadent white dress and crown. She sang in a breathy voice, enchanted me with her cello playing… and it was over much to quickly.